From the Fête galante to the Fête monarchique: Society and Spectacle in Watteau’s Les Plaisirs du bal
Sirènes et Muses: De l’Eloge à la Satire dans la fête théâtrale, 1654 – 1703
Watteau’s Pilgrimage to Cythera and the Subversive Utopia of the Opera-Ballet
Carnival in Venice or Protest in Paris? Louis XIV and the Politics of Subversion at the Paris Opéra
© 2022 Studies in French Baroque Spectacle
Theme by Anders Noren — Up ↑