As an expert in her field, Georgia Cowart has written extensively on several subjects. View a few of her articles here:
- Carnival in Venice or Protest in Paris? Louis XIV and the Politics of Subversion at the Paris Opéra
- From the Fête galante to the Fête monarchique: Society and Spectacle in Watteau’s Les Plaisirs du bal
- Sirènes et Muses: De l’Eloge à la Satire dans la fête théâtrale, 1654 – 1703
- Watteau’s Pilgrimage to Cythera and the Subversive Utopia of the Opera-Ballet